Peso Pluma was suddenly everywhere last year thanks to his distinctive sound,
powered by charchetas, trombones and — perhaps his most important instrument — his nasally and raspy vocals
In a matter of months, the Mexican-born corridos singer became one of the biggest artists in Latin music and,
undoubtedly, the leader of regional Mexican music’s new generation of hitmakers.
After placing a handful of tracks on the Billboard Hot 100 — he officially sparked the corridos revival,
propelling it towards mainstream territories — Peso kept the momentum going with his Grammy-winning Génesis,
which made history when it debuted and peaked at No. 3 on the Billboard 200, the highest ranking for a Mexican music album on the tally.
While Génesis served almost as an introduction to Peso Pluma — although he had already released two previous albums — Éxodo has a different purpose.
It can almost be looked at as Peso’s mission statement as he continues to explore the type of artist he wants to be.
ith this dual, two-disc album — one side corridos and the other trap, hip-hop
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